![]() It’s not “Well, you cheated, and so I cheated, and so we’re even now!” No. No instance of cheating is the same as the last because every infidelity has its details, and the details always matter. It’s such a tricky area, not just because she cheated and the hypocrisy of that. You can see her debating how much she’s allowed to feel and express.Īnd how angry she’s allowed to be. She knows it would be hypocritical to treat an affair as unforgivable because she had one herself. To me, one of the defining aspects of Melissa is her self-awareness. That’s when a more aggressive person is useful, to pull that out of a passive person. The thing they’re arguing about is something they’ve come to the edge of, but neither has the guts to say it. As a viewer, you want to scream it for them. They’re never saying the thing that needs to be said. ![]() I think that’s what’s so frustrating about watching Frances and Nick together. Nick and Frances’s problems may be different from Melissa and Nick’s, but having two passive people poses its own issues. That means maybe taking a step back from her louder, bolder personality to give someone else space, which she’s not used to.Ĭomparing that to Nick’s relationship with Frances, it seems like it can be even harder for two people who are both very passive to be in a relationship. She’s waiting for him to be okay and waiting for him to accept her again. She has to find her place within the relationship right now because it’s shifted. Melissa has had this affair, and she’s in the doghouse. But in the intimate aspects, when you’re alone and arguing, to have a passive person is extremely frustrating. You have someone who knows how to start a conversation when you don’t. You have someone who can speak for you when you don’t feel like it. To be with someone who is passive, as someone who is not, can be great because it can create that nice tension in a relationship, that friction that is good in social settings. I think that phrase is the opposite of what she is. What, in your eyes, makes it difficult for Melissa to be married to Nick? She calls him “pathologically passive.” On a call with Vulture, Kirke dove deep into the mind of Melissa, including her motivation in permitting Nick’s relationship with Frances. But Kirke dodges the scorned wife archetype by imbuing Melissa with depth in just a few key scenes, giving a master class in complex supporting performances. ![]() If there’s a Jessa-like character in the series, it’s not Melissa in fact, Melissa probably would’ve been one of Jessa’s victims. Kirke plays Melissa, an accomplished writer who she represents the type of artist Frances ( Alison Oliver) might one day hope to be - even as Frances begins an affair with Melissa’s husband, Nick ( Joe Alwyn). In her most recent roles, Kirke continues to complicate this “cool girl” image - first as a strictly sex-negative headmistress in the third season of Sex Education and now with Hulu’s newest Sally Rooney adaptation, Conversations With Friends. Jessa embodied a certain brand of cool, but she left a trail of broken friendships and toxic relationships in her wake, the collateral damage of her self-destructive tendencies. In the star-making role of Jessa on the HBO series Girls, Jemima Kirke was a force of nature: effortlessly charming and notoriously unreliable, a generator of chaos for chaos’s sake.
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